Updates
š What I Built This Week:
Foundations That Bleed, Breathe, and Fight Back
I didnāt write 10,000 words this week.
I didnāt finish a novel.
I didnāt publish a story.
But I did all of those things ā in spirit, in structure, and in systems that now make every future output inevitable.
I didnāt just work.
I built a world-class creative framework around the work.
And hereās what that looked like:
š§± 1. I Finalized a 95-Chapter Master Narrative System
Twelve modular sections...
Every genre I touch ā from horror to romance to poetry ā now lives inside a fully articulated guide... or at least, my internal outline that will be meticulously expanded upon with Dark Souls II-like meticulous allocation precision.
All hail Adaptability. (Weeps in Glass Cannon)Ā
Anyway: Structure, tone, format, CRS, automation logic ā itās all there.
This wasnāt just outlining stories.
I was outliningĀ how to manufacture meaning ā ethically, emotionally, symbolically ā again and again, without burning out or getting lost. Basically, foundational procedures for how to systemize creativity with the intent of automating its creation, but in my voice.Ā
I have a system that lets me tell any story, in any format, while staying entirely on-brand.Ā
But... it's limited to my five loves:
Horror
SciFi
Fantasy
Romance
And, PoetryĀ
For whom doth the sky wither as the knobs on the time machine sparks? It be for thou my love. Thine hand is the only machine that extends beyond time and space.Ā
Or something like that... That's love, horror, scifi and fantasy poetically express and what not.Ā
It's the dog's bark, the cat's meow, and how!Ā
š 2. I Gave Every Genre Teeth (and Spirit)
Horror? Itās not just fear. Itās moral consequence.
Sci-Fi? Not cold metal. Philosophical dissonance.
Romance? Not algorithmic fluff. Sacred vulnerability.
Poetry? Not abstraction. Compressed clarity and spiritual resonance.
I broke down each genre into 10 narrative subsystems: structure, tone, character types, CRS variants, symbolic cues, and more ā all aligned with my values and my emotional logic.
Iām here to write stories thatĀ haunt, hold, or heal.
āļø 3. I Built a System That Writes with Me
Zapier. Shopify. Google Sheets.
Not just tools ā but systemic rituals now.
I created a publishing pipeline that lets me batch-create, auto-post, or manually refine any type of content.
Blog entries? Check.
Serialized short fiction? Yep.
Full-length outlines, ready for AI-assisted expansion? Already in place.
Manual when it matters.
Automated when it doesnāt.
Branded always.
I have to refine it a bit, but then I can turn the faucet on, and... sprinkle, sprinkle... that's my content drip, "beach."Ā
š 4. I Designed a Translation System That Doesnāt Dilute Me
Thought about multilingual āappeal" without flattening for reach, so...
I built a full international adaptation framework for Spanish, Mandarin, and Hindi.
Not just translation ā emotional and cultural resonance.
Because if my stories canāt touch someoneās soul in their own languageā¦
theyāre not finished ā theyāre just untranslated.
š 5. I Wrote Two Horror Stories That Actually Know What They're Doing
The Room with No Corners
The Man Who Watched Himself Die (posts next week)
Two fully completed psychological horror stories.
Tied to my personal mythos.
Infused with symbolism, rhythm, recursion, and spiritual cost.
Theyāre not cheap scares.
Theyāre slow burns with moral gravity.
And theyāre only the beginning.
š§ Oh, and I Read. A Lot.
Extract info. Eating it. Bathing in it. Basking it. Info is like the warm, subtle saliva on a chick's tongue when we make out. It's the scent of shampoo while watching nothing to do something. It's the key to the ether of life. Elixir of the soul.Ā
Anyway... reading... lot's of it...Ā
PDFs on plot systems.
Genre breakdowns.
Branding blueprints.
My own poetry.
Narrative theory.
Even Zapier documentation.
Because I want the machine behind the meaning to hum.
The sentences on the page are a pieces of the mosaic, so the piece itself needs to be planned well. An automated mosaic requires a well-calibrated machine.
Anyway...Ā
š So What Did I Actually Do This Week?
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Wrote
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Read
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Engineered
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Refined
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Branded
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Structured
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Aligned
And above all:
I showed up ā again and again ā even when no one was watching.Ā
Was I hungover? Maybe.
Did I partake in bowls of salad? Perhaps.
Were there women on a beach somewhere? Sometimes.Ā
Did I share my love and fascination for Ariana Grande, awkwardly? Absolutely.
Did I talk about the love of my life with sincerity? Sighs. Welp...
š§¾ The Receipts?
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A 95-chapter narrative system
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A genre-by-genre emotional toolkit
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A working automation pipeline
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Two horror stories
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One symbolic aesthetic brand
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One multilingual expansion framework
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And a sense of momentum that doesnāt feel fragile
š§ The Bottom Line?
Iām building content systems that let me create at scale ā without losing what makes my voice real.
And it finally feels like Iām writing for real.
Not to impress.
Not to compete.
But to tell stories that feel like they were always meant to be told.
I can't wait to have some awesome stuff and make videos from it.
Ā Ā
ā
That all said, if you're drowning in half-finished drafts or stuck on platform fatigue...
Build your system.
The outputs are based on what you put in.Ā
Put nothing in, then you get what's already in the system.
Sometimes you have to tweak and tweak and reiterate the idea behind the input before you have a tangible input to work with.Ā
That's critical to identify, vet, and execute on.
Once you, do then, you can build a good foundation:
The kind that bleeds when it needs to.
Breathes when itās time to rest.
And fights when the blank page stares back.
Indeed! (nods)
Anyway...
Ubi Somnia Figura Veritatis, friends!
- Mark | šššĀ āļø
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